Lindsay Zier-Vogel is a writer, arts educator, grant writer, and love letterer, based in Toronto. She studied contemporary dance at The School of Toronto Dance Theatre, received her B.A. as an English Specialist at the University of Toronto and an M.A. in Creative Writing at the University of Toronto under the advisorship of award winning novelist, Anne Michaels. Her first novel, Letters to Amelia, will be published with Book*hug in 2022 and Kids Can Press is publishing Lindsay’s two picture books based on The Love Lettering Project – Dear Street in 2021, and another place-based picture book in 2022. She is represented by Kelvin Kong at K2 Literary Agency.
Lindsay’s work has been published in various publications including The Letters Page (University of Nottingham Press), “Where The Nights are Twice as Long” (Goose Lane Editions), “Watermarks: Writing by Lido Lovers and Wild Swimmers” (Frogmore Press/Pells Pool, UK), The Temz Review, The Toronto Star, The Lampeter Review, Taddle Creek, Room, Grain and Descant and is a contributor to the popular Swimming Holes We Have Known blog.
Residencies & Performances
In 2009, she travelled to Vitteaux, France for a month-long writing residency at La Roche D’Hys and in 2010, she was awarded a month-long writing residency at The Art Farm in Nebraska, U.S.A. In 2012, she was one of four artists-in-residence at the Anne Portnuff Theatre in Yorkton, Saskatchewan. In 2013, she received funding from Access Copyright to spend time in Newfoundland, researching the sites of Amelia Earhart’s two trans-Atlantic flights.
She has also written text/scripts for dance pieces including Shannon Litzenberger’s HOMEbody and Sylvie Bouchard’s Histoire d’Amour. She also wrote WWI-based letters for Laurence Lemieux’s Dora Award-nominated Jusqu’a Vimy.
She has read at various reading series and festivals including the Pivot Reading Series, Art Bar Series, Eden Mills Writers Festival and the Hillside Festival.
Lindsay is also a bookbinder, using new and experimental binding techniques, she creates small-run and limited edition hand-bound books. Lindsay’s books are currently housed in the National Library and Archives of Canada and in the University of Toronto’s Thomas Fisher Rare Books Library’s permanent collection.
Lindsay also works as an arts educator, encouraging students in the community and in the school system to create without judgment, promoting the accessibility of language-based art. (More here!)
The Love Lettering Project has been deemed one of the 50 reasons to love Toronto by Toronto Life magazine and has been featured in international media, including The Atlantic’s CityLab, NPR, CBC Television’s The National, Global National News, CTV’s Canada AM, The Toronto Star, The Globe and Mail and CBC Radio’s Definitely Not the Opera and World Report. (More press details here).
The Love Lettering Project travelled to New York City with Artery in February 2017 and pop-up events have been touring the U.S. with stops in Chicago, Boston, L.A. and Atlanta. The Love Lettering Project was the basis for the David Suzuki Foundation’s 2016 international 30×30 campaign and launched the Art Gallery of Ontario’s Weston Family Learning Centre in Toronto. Lindsay has also partnered with the Toronto Public Library system, the Toronto District School Board, Tourism Toronto, the Canadian High Commission in London, England, among others.
In 2019, Lindsay hosted the third year of her place-based creative writing program Writing The City at High Park Library (with previous years at Parkdale and Annette Street Libraries), funded by the Ontario Arts Council. The project was featured at Parkdale’s Spring Festival in Toronto and traveled to Teresopolis, Brazil in July 2019.